Introduction
Internal conflict, often defined as the «man versus himself» struggle, is a cornerstone of psychological realism in literature. Unlike external conflicts, which are manifested through action, internal turmoil occurs within a character's mind–between opposing desires, moral obligations, or emotional states.
The relevance of this topic lies in the fact that internal conflict is not stated directly by the author; instead, it is "encoded" into the linguistic fabric of the text. To decode it, we must analyze specific stylistic devices that signal fragmentation, hesitation, and emotional instability. The purpose of this report is to examine how lexical and syntactic tools function together to externalize a character's hidden psychological state.
Theoretical Framework
To analyze internal conflict, we must rely on established linguistic theories. In this report, I have synthesized the works of four prominent researchers:
1. I.R. Galperin (1977): In his seminal work Stylistics, Galperin emphasizes the role of expressive means and stylistic devices. He argues that internal tension is often conveyed through antithesis and oxymoron, which highlight the co-existence of contradictory feelings.
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